With a final identify an identical to Pantone, sure, the founders of the Color Matching System®, you’ll think about the quantity of confusion, or worse, mistaken id, Argentinian-Spanish artist Felipe Pantone has skilled. The truth that the artist dabbles in colors — right here, we quote his profile: “He [Pantone] explores how the displacement of the sunshine spectrum impacts color and repetition” compounds the conundrum manifold. For the file, any point out of Pantone from hereon refers back to the artist.
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Zenith and Pantone lately unveiled the most recent chapter of their collaboration — the DEFY Skyline Tourbillon Felipe Pantone. It marks the fifth undertaking the 2 disruptive minds have conceptualised collectively and produced, the primary being a customized color gradient tarpaulin for Zenith’s Le Locle manufacture façade in 2020. Subsequent collaborations — together with the most recent launch — manifested via Zenith’s DEFY vary of watches. The primary DEFY 21 Felipe Pantone was adopted up by the extremely profitable and piece distinctive Zenith x Felipe Pantone DEFY 21 Double Tourbillon Solely Watch version (each in 2021) earlier than 2022’s DEFY Excessive Felipe Pantone paved the way in which for this 12 months’s 100-piece restricted version launch.
Not like its two different industrial predecessors, this 12 months’s version swaps out Zenith’s famed high-frequency chronograph in favour of a tourbillon, with its tourbillon bridge long-established in Pantone’s emblematic lightning bolt form. Different nods towards the artist’s works embody the sapphire dial with concentric circle micro-engravings on the entrance and a mirrored metallic end on the rear to evoke the colors of a CD. An analogous gradient color execution occurs on the distorted watch palms and hour indices.
Whereas the DEFY Skyline Tourbillon Felipe Pantone will solely arrive in chosen Zenith boutiques on 12 September, we had the chance to talk to Felipe Pantone about his newest collaboration with Zenith.
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Hola Felipe, congratulations in your newest undertaking with Zenith! This launch marks your fifth undertaking with Zenith, the primary on the manufacture facade and 4 others targeted on the watches. How would you describe your relationship with Zenith?
Gracias! My relationship with Zenith has been one among mutual respect and shared imaginative and prescient. From the very starting, there was a pure synergy between us. Zenith’s dedication to craftsmanship and innovation aligns completely with my strategy to artwork. Over time, our collaborations have developed from large-scale murals to intricate timepieces, every undertaking deepening our artistic partnership. It’s been a journey of exploration, pushing the boundaries of what may be achieved when watchmaking meets up to date artwork.
Staying on the subject of relationships, have you ever usually been mistakenly affiliated with the Pantone firm, given your names and each your relationships with color?
The similarity within the identify is coincidental, although I respect the humour within the mix-up. It’s all the time fascinating to see how folks make these connections. I used to graffiti and selected the identify PANT1 as a child. Rising up, I learnt in regards to the Pantone firm, and lately, I came upon that they adopted me on Instagram. I assume they’re not mad at me, so I adopted again.
Is there a specific color that greatest represents your character?
I’d select to be a gradient fairly than a single hue. My character, very similar to my work, is continually shifting and evolving. I’m drawn to the spectrum of colors as a result of it represents motion, transition, and mixing totally different parts into one thing cohesive but fluid. If I had been to choose one, it will most likely be a vibrant blue — a color that symbolises each tranquillity and depth, very similar to the stability I attempt to preserve in my life and artwork.
After months of engaged on the DEFY Skyline Tourbillon Felipe Pantone, how thrilled are you to see the watch in particular person?
Seeing the DEFY Skyline Tourbillon in particular person was exhilarating. After months of conceptualising, designing, and fine-tuning, holding the completed piece in my palms was extremely satisfying. The transition from thought to tangible object is all the time fascinating, and this watch, particularly, exceeded my expectations. The best way it interacts with gentle, the precision of the mechanics, and the general presence of the watch — all of it got here collectively in a manner that actually captures the essence of the collaboration.
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That is a type of creations for which photos don’t do justice. It must be seen in particular person, the place gentle brings the intricacies of the watch to life. Do you agree with this assertion?
Completely. The DEFY Skyline Tourbillon is a watch that reveals its true magnificence when skilled in particular person. Pictures can seize the design however can’t convey the play of sunshine on the prismatic dial or how the colors shift as you progress your wrist. The depth, textures and refined particulars — all of those parts come to life whenever you see the watch in particular person. It’s a bit that engages with its surroundings, which you’ll be able to solely totally respect when holding it.
The watch design touchpoints just like the Deliberate Iridescence dial, the gradient colors, and the bolt-shaped tourbillon bridge mirror your work and prolong your character. What message do you need to share with folks, or what emotion do you need to evoke after they see the watch?
I would like folks to really feel a way of power and curiosity after they see the watch. The design parts, just like the iridescent dial and the gradient colors, are supposed to evoke a sense of dynamism and alter. The bolt-shaped tourbillon bridge is a nod to the concept of velocity and energy, parts central to each my artwork and the idea of time itself. Finally, I would like the watch to encourage a way of motion — each visually and emotionally — reminding the wearer that point is continually in flux and that there’s magnificence in that perpetual movement.
Roger Gastman is quoted as saying, “Felipe Pantone evokes a spirit in his work that seems like a collision between an analogue previous and a digitised future the place human beings and machines will inevitably glitch alongside each other in a prism of neon gradients, geometric shapes, optical patterns, and jagged grids.” Have you ever thought-about the profound influence that point has on you and your artworks after working with Zenith?
Working with Zenith has actually deepened my appreciation for the idea of time and its affect on my work. Time is a central theme in watchmaking and artwork — one measures it, the opposite captures it. The concept of a collision between the analogue previous and a digitised future is one thing I discover consistently, and watchmaking sits on the intersection of these two worlds. The extra I’ve engaged with the mechanics of timepieces, the extra I’ve mirrored on the position of time in my artistic course of. It’s made me much more conscious of how fleeting moments are and the way essential it’s to seize that power in my work. Every bit I create is a snapshot of a specific second in time, nevertheless it’s additionally half of a bigger continuum, very similar to the ticking of a watch.
This story was first seen on MensFolio.com
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